In contrast to the fluffy, imaginary representation of polar bears, this one by Fabergé reflects the animal’s aggressive side. I thought it paired well with the cool tones of a beige, white and pale blue necklace I had designed years ago. The necklace had always reminded me of ice even though it is composed of shell and freshwater pearls in addition to Murano glass beads. Other materials include mirrors, paper and a found object (an oyster shell).
Framed with museum glass in a sophisticated deep wooden frame in collaboration with Chevy Chase Art Gallery, Washington, DC.
Frame color: Silver
Size (in inches): 12.5"H x 10"W x 4"D
Ready to hang. Hardware included.
Though many designs appear simple, each work in fact takes several months to create. The final version is rarely the one initially envisioned; the laws of gravity force numerous adjustments. Execution involves a multitude of skills, some of which are acquired specifically to achieve the desired artistic result. In fact, it took several years of experimenting before I even hit upon a technique for creating assemblages.
The framing process is itself a component of the work, both conceptually and artistically. Though the frame is clean and modern in appearance, the framing process is not as simple as it seems. The determination whether to create a "room" (as with Born Free) or an intimate atmosphere (as with What Price Silence) is in fact part of the artistic process.
Works are custom framed to provide sufficient depth to accomplish my artistic goals as well as to support the weight of the work (often 40-60 pounds). The 4-inch deep decorative wooden frame curves outward to bring the work closer to the viewer.
As many designs are supported by the base as well as the backing, the framing process can be tricky. It took several months of experimentation to determine how to create a work that it was practical to frame. The glass protects the work from damaged caused by dust and dusting.